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a cross - a circle - a line - a disc

Klangwelt - XOIO
(2006, Spheric Music SMCD 6102)
01. Okzident
02. XOIO
03. Fun-fair
04. Bed of Clouds
05. River (for Alina)
06. Spirits
07. La Bella
08. No Response
09. Fade Away |
10:39
11:56
6:01
9:37
5:34
8:52
6:46
8:12
8:46 |
'Okzident' is a superb
opener. Two really excellent high register sequences skip over strange
mangled vocal samples. The pace quickens and pulse begins to race as a
steady low rhythm strikes up over Eastern tinged lead lines and wordless
female vocal colouring. It reminded me a little of early Jarre especially in
the rhythm and sequence departments. The title track again combines
sequences and rhythms beautifully. Initially it's all rather moody and even
when things accelerate there is a real feeling of menace. Slow mournful pads
swell around the pulsations adding to the unease still further. Within the
last third of the track the mood lightens considerably however and not for
the first time recently John Dyson very much came to mind. Things become
increasingly euphoric and we finish this fantastic track on a real high.
'Fun-Fair' is full of bright innocence but with a touch of melancholy. 'Bed
of Clouds' starts with the sound of jets scorching across the sky and
communication between the planes and control. Calmness descends as soft
tranquil pads become the main feature. Slight rhythmic detail makes an
entrance along with brass lead line as we float away in a relaxed state.
This feeling of tranquillity continues through to 'River (for Alina)'. Piano
provides the main detail and very pleasant it is too. String pads swell and
the feel becomes rather cinematic. It made me think a little of Mike
Andrew's more mellow works.
We float through to the next track 'Spirits' on watery effects. A lovely
delicate melody strikes up (sort of half acoustic guitar and half vibes). A
rhythm then ethnic sounding vocal samples are introduced next. Things get
faster. Nearer the end there is even a proper section of singing over
angelic pads. Must admit it wasn't really my sort of thing at all. For the
most part I suppose it's a bit like Peter Mergener or G.E.N.E.
'La Bella' makes use of melodic percussives- a little like tubular bells. A
jaunty little rhythm moves us forward and we continue in pleasant fashion.
'No Response' ups the pace again and we are soon bouncing along nicely
whilst sequencer runs and lead lines chase each other over the beats. We are
not even two minutes in and more sequences are added. There is then a little
interlude where a new lead and rhythm are allowed to stand in isolation
before normal service is resumed and we bound forward again. 'Fade Away' is
initially quite brooding. Moody piano makes an entrance hitting the spot
perfectly. Plucked strings take over from the piano but the 'feel' of the
piece is maintained. Spiritually inspired sampled text puts the track in
some context and serves to increase the melancholy nature of the music still
further. Another wonderful track.
This album is a bit like a sandwich. The first two and last couple of tracks
have power, whether that is in the forcefulness or moodiness of the music
whilst the middle tracks are far lighter. Some people will like the former
(as I do very much indeed) whilst others will prefer the latter. My only
worry is how many people will actually like both. (DL)
David Law, Synth Music
Direct, 2006
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Klangwelt
O XOIO
O The Age Of Numbers
O Weltweit
compilations:
O Mystic
Spirits Vol. 6
O Syntonic Waves Vol.8
label:
O Spheric Music
website:
O www.klangwelt.info
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