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Synth Music Direct (UK)
We open with 'Tsunami'. A lovely fast
sequence and rhythm combination storm out of a short atmospheric
introduction. More rhythm is added and I defy anyone to keep their body
still. Through all these wonderful syncopations soars an uplifting but
also laser sharp melody on the guitar. There are many changes of pace as
well as regrouping of the drums and sequences as we go along. Awesome!
A tinkling melodic sequence gets 'Contact' underway. Soft ethereal pads
surround it then some beautiful acoustic guitar licks float over the top,
echoing into the distance. Gentle electric guitar comes into join it
completing a simply exquisite picture. The track gains extra oomph as it
progresses. Just when I thought it couldn't get any better it does,
acoustic guitar settling into a fantastic riff whilst the electric
explodes just as impressively over the top. The sequences kick up even
more of a storm as we come to a finish.
A pulse echoes into the distance at the beginning of 'Indian Skies'. An
excellent slow sequence starts up, another slightly faster one coming in
to join it. Slow drums are added then another spot on guitar lead line
gently floats, not spoiling the tranquil mood. As on the previous track
however the pace and intensity very gradually increase, the occasional
tender interlude providing a nice ebb and flow. 'Close Encounter' is
initially tranquil and melodic but it isn't long before we get into a
wonderful relaxed groove with yet more superb guitar playing. There isn't
a moment on this album where the balance between guitar and synths isn't
spot on. This is a perfect example. The melodies are strong but also
tender at the same time.
'Exile' has the most atmospheric beginning so far creating an eerie and
foreboding feel, the sound of spectres mixing with other ghostly effects.
An infectious rhythm starts up and the track becomes more powerful,
building quite a head of steam. We finish with the mammoth 'Behind the
Mirror', lasting over twenty-four minutes. Abstract touches of sound
shimmer over a sparse backing. A mournful guitar line starts up in the
third minute seeping into the very soul. A slow bass sequence then comes
in taking things forwards but without spoiling the atmos. The track builds
slowly but surely, more sequences and rhythms coming in until before I
knew it we were motoring at quite a pace. Things strip down to just a
gentle sequence in the thirteenth minute then even that disappears into
melancholy atmospherics, tron type sounds taking the central role.
With seven minutes to go another delicate tinkling sequence enters. This
morphs as a bass line falls into step beside it. Then in come the drums
and you just know we are building to a powerful finish. Pads swell giving
an epic feel with just a twist of melancholy and the guitar again takes
lead duties. Wonderful, wonderful stuff. This is a fantastic CD which can
be incredibly powerful but at the same time providing just the right
amount of light and shade so that you don't feel punch drunk by the end.
(DL)
Dave Law, 2005
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